![]() An unfavorable fracture is one oriented such that muscle pull vectors act to displace the fragments ( Fig. ![]() A fracture is considered favorable if it is oriented such that muscle pull vectors act to compress the fracture. Distraction refers to the distance between bone segments across a fracture, and rotation is the orientation alteration of bone segments along their long axis. Angulation is the change in angle of the long axis of the bone across the fracture. This alteration can occur as a result of the energy of the blow itself or because of unopposed muscle pull. Displacement refers to the alteration in anatomic relationships of bony segments. Fractures may be simple, involving a single disruption between two bone segments, or comminuted, meaning multiple bony fragments exist in the separation between bone segments. Regardless of the precise definition of massive facial trauma, it is our contention that these injuries can be managed successfully by adherence to the same basic principles that lead to successful outcomes from less complex trauma.įractures occur when forces are applied that exceed the stress capabilities of bone, leading to a disruption of the mineralized matrix with additional disruption of the associated soft tissue. These injuries may be associated with severe soft tissue lacerations, avulsions, or globe or central nervous system injuries. For purposes of this chapter, massive facial trauma refers to high-energy blunt or penetrating trauma leading to severe bony displacement, comminution or frank bone loss, and/or involvement of multiple anatomic areas and reducing the availability of anatomic reference points for fracture reduction. Complex facial trauma can then refer to either the multiplicity of areas involved (i.e., panfacial fractures) or the degree of severity of involvement of a given area. (Tickets available here.Skeletal facial trauma is frequently subdivided into fractures of the frontal sinus, nasoethmoid complex, zygomaticomaxillary complex, midface, dentoalveolar structures, mandible, and other unusual fracture patterns. Skeleton Joe Cardamone performs this weekend at Los Angeles’ The Greek Theatre with The Cult, Black Rebel Motorcycle Club, and King Woman. The lines are blurry, and so that is how the music and the visual comes on.” We second guess our fantasies of the people who helped shape our lives. “We watch our heroes die multiple deaths. “The video was made with the American Primitive team who all jumped in head first to bring the American family to life,” he explains about the production team who has also done videos by Queen Kwong and Prayers. The accompanying video echoes the song’s dark and sinister undertones viscerally with a bloody alien birth and a cast of broken characters straight out of a film by director David Cronenberg ( The Brood, Videodrome). He’s looked out for me in ways he really didn’t have to.” “It reminds me of my old band without sounding like a band at all…Ian, much like Mark, has acted as a guardian angel in my life. “I wrote #B元$$3D a few weeks ago in anticipation of performing live again,” he says. Ian Astbury of The Cult later invited him to do a live gig. “The shadow self is not the guy that has to get up and feed the dogs and wash dishes. “When a song comes out as wiry and fucked as this one has, it falls right into the Skeleton Joe alias,” he replies rather enigmatically. “#B元$$3D came out pretty quickly,” he says. With a fresh lease on his creative life restored, Skeleton Joe’s jumpstart to ease him back into music no longer fills him with dread like it did after Lanegan passed away earlier this year. A dark and brutal brooding banger, it retains the manic energy of The Icarus Line and the pulsating dark techno of Dark Mark vs. “I lost two people that made me feel protected on stage… both brothers.”Ĭardamone found a way to work through the pain of grief with the release of “ #B元$$3D,” his first new song since the passing of Lanegan, marking the end of their Dark Mark vs. ![]() ![]() ![]() “After losing Mark and Alvin, I kinda started thinking I might not perform live much more,” he explains. But fate had other plans for his creativity. Skeleton Joe) left him in a dark place musically. The tragic deaths of his friends and bandmates Alvin DeGuzman (The Icarus Line) and, more recently, Mark Lanegan (Dark Mark vs. After staring mortality in the face, Skeleton Joe, aka Joe Cardamone (The Icarus Line), was ready to call it a day with live performances. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |